Showing posts with label basilica. Show all posts
Showing posts with label basilica. Show all posts

Tuesday, 7 November 2023

Taken for a Run Round Salzburg

Thursday 17 August 2000. After last night, raindrops on noses are not quite one of my favourite things! However I'm prepared to forgive and forget when faced with such a beautiful morning with early morning mist against the mountains and the prospect of a day in Salzburg - the city of The Sound of Music.

We've walked a bit further than usual after breakfast and before the coach leaves and we found the walkers about to board the little train for Zell-am-See.

Coaches are not allowed into Salzburg, except to drop off and pick up at pre-arranged times. John and Keith deliver us into the hands of local guide, Margarethe. After three people though she drops them and asks the drivers, "Please just leave them on the pavement..."

She takes us on a walking tour of the city for almost an hour. She sets off at quite a ridiculously fast pace and soon we are strung out in a long straggly line as we stop to take photos or find it difficult to keep up. Apart from anything else, Salzburg is crowded and we are not sure if the people we are following can see anyone from the coach in front of them or whether we are just wandering aimlessly...

For some reason there were fibreglass cows all over the place, painted in different designs.

Saltzburg has many squares, as we shall see once we get up to the castle! The cathedral stands in a square and a huge stadium had been erected for a concert. There was no way I could take a single photo of it from top to bottom as you couldn't stand far enough back. I took three and have stitched them together.

There are no less than five organs in the cathedral, all of which must be played seperately. The largest, high above the entrance at the back was played only for notable occasions, whilst Mozart himself was not averse to twiddling the ivories of one of the others. He was born in Salzburg and we were to see his birthplace a little later in the tour.

If you watch The Sound of Music You will find a troupe of von Trappers traipsing through this very arch. The only thing we found going through it though was a horse and carriage - but quite splendidly adorned with a miniskirt... In fact there are not many references in Salzburg to The Sound of Music at all. Hollywood has one take on the story. The Austrians perhaps have a different perspective on it.

Hang on a minute, the gang have stopped whilst Margarethe explains something. I couldn't hear her half the time and gave up after a while. Not a von Trapp in sight... Margarethe: please start at the very beginning...

Here's a flight of stairs at the side of a courtyard that may be familiar from the concert sequence in The Sound of Music. It's not in the castle however (which we shall see in the next article).

We come to a large square where a thriving market has been set up. The surrounding palaces are quite something. One of them was Mozart's birthplace.

So a quick look around the market and try to keep Margarethe in sight in the crush of people!

The cheese stall. The market obviously attracts stallholders from all over the place. The young lady was Dutch and in case her cheese wasn't enough, she has a whicker basket full of plain wooden clogs on the ground.

Miss Franny: "Isn't that Christopher Plummer?" Me: "No, it's a fruit and veg stall - they're just ordinary plums..."

Margarethe managed to round us all up and herded us into a very crowded street. "Now ve haf valked you many tvisty turns and you are all lost and disorientated, I leaf you here in zis busy street to find your own vay! Meet back at the bus station vhich you cannot remember and don't be late because der bus can only vait fife minutes! Unt der virst von back ist der sissy!" Disclaimer: she didn't really say that. But, then again, she didn't need to really...

It is a very quaint street with lots of swinging signs outside the shops. We find somewhere for lunch then, successfully fed and watered, we decide to head on up to the castle. Miss Franny stops to admire some plates. Thay are decorated with real gold. I work out the price in UK pounds and push her quickly on...

The Hohensalzburg fortress. It's an impressive chunk of masonry and design, giving an air of both calm beauty and impregnable mass. Should we walk it or take the easy route we wonder? There is a funicular railway that takes you to the lower levels of the castle.

We decide to take the funicular railway up and walk down - we may not be in a rush but we are no fools... This is a funicular railway with a driver's cab! We were at the bottom and were going up. It was crowded and I couldn't see if we had a driver or not.

The car itself was quite steeply racked and had three or four compartments for passengers. At the top of the slope we looked back to watch the cars going up and down for a while. It doesn't look so bad here but I was looking down somewhat - tilt your head to the left a bit!

Ok time to take a few photos and stitch them together to form a panorama. We have arrived at the castle which looms over behind us opposite the view you see here. For those who wish to try their hand at spotting the joins there are four photos...

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Wednesday, 6 September 2023

Exeter Cathedral

Saturday 26 August 2023. We decided to go into the cathedral at Exeter and have a look around.

Cathedral Close usually, I imagine, is a haven of peace and tranquility but a drumming troupe were being very successful at destroying all of that very loudly and with a great deal of repetition of rhythm, something akin to rhythm, and sometimes (most of the time) just general noisome row.

A craft market was taking place before the door of the cathedral with all sorts of home-made articles from jewellery, to soap, artwork, and beer.

Quite a large number of statues still stand in their niches on the West front of the cathedral. The cathedral was founded in 1050 CE and rebuilt by the Normans whose twin towers still exist. Apart from these and most of the external walls the cathedral was rebuilt again during the late 13th and 14th centuries.

We paid to go inside, but the chancel area and most of the south aisle were roped off due to restoration work. The price was modest but whether that was because of the works restricting access or their usual price I'm not sure. There were no signs to say one way or the other. Consequently you were left feeling a little aggrieved as the chancel with its choirstalls and (especially here in Exeter) the misericords are usually the place to find the best carvings and woodwork. From the back of the nave, though, you get a spectacular view.

Exeter has the longest uninterrupted medieval vaulted ceiling in the world. It is stunning. Moreover, it is well lit by the windows the absence of which can leave many cathedral roofs in shadowy darkness. Henrietta Anne of England, the youngest daughter of King Charles I, was baptised here in 1644.

The Martyrs' Pulpit towards the chancel end of the nave. Carved in the 1870s in sandstone, it has six panels depicting martryrs who have died for their faith. It is dedicated to Bishop John Coleridge Patteson, who only a few years prior to this pulpit being made had been killed in 1871 by the islanders of Nukapu in the Soloman Isles.

Without being judgemental, I'll just point out that being a missionary requires one to persuade a population that the god or gods they have worshipped for centuries if not longer are either worthless or are the same as yours anyway and that your way of worshipping is better than theirs. You won't be able to provide any actual proof of this. Hardly surprising that they might take a bit of umbrage really. And indeed the panel depicting him shows his body being placed into a canoe by three natives, to be returned to his ship. Not the act of a people who killed for fun...

The screen separates the nave from the chancel, where the crossing would be if the cathedral had a central tower. Above it is the organ. The keyboards are on the other side to that which we see here and there is a minstrel's gallery with carved angels playing musical instruments.

The Astronomical Clock has a bottom dial dating from 1484 whilst the upper dial showing the minutes was added in 1760.

At the bottom of the door below the clock is a small round hole dating from the early 1600s. It allowed the Bishop's cat to get behind to chase out (let's be optimistic) the rodents that were attracted to the animal fat with which the clock was lubricated!

The monument to Valentine Carey who, following a spell as Dean of St Pauls in London, was Bishop of Exeter from 1621 to his death in 1626. He had returned to London to die and was buried in St Pauls. Any monument he had there did not survive the Great Fire of London in 1666.

Coach Trip to Sidmouth, August 2023, Index
English Churches and Cathedrals Index

Wednesday, 26 April 2023

European Churches and Cathedrals

Welcome to this series of articles about religious buildings outside the UK. These include Churches, Abbeys, Priories, Cathedrals, Basilicas, Duomos, Chapels, Mosques, in fact anything that is relevant to any religion or belief system.

A separate index will cover sites in England and the rest of the UK and any prehistoric sites which may be wholly or partly religious in nature (e.g. Stonehenge) will fall under the relevant Curiosities Index. Sites here are listed in order of the alphabetical name of the town or city in which the site is to be found.

Clicking or tapping the photos below will take you to each of the articles. A link on each page will bring you back here.

Whilst not in Europe, there are a few articles from our 2013 Cruise in the Holy Land which may be of interest.

Messina Duomo Basilica

In September 2014 we were on a cruise, taking in various ports in and near Italy. This day we docked in Messina, Sicily and as part of a sight-seeing excursion we visited the Duomo or basilica of Messina.

In particular the visit was timed to end at the basilica and we were dropped off in the square in good time to watch the animated clock tower performance at twelve noon. The ship had been intending to leave at twelve thirty which would have meant missing this, but they extended the "all aboard" deadline to allow tours and independent passengers to see the clock.

It was built by the Normans, those descendants of the Norsemen who hadn't quite done with wanting to spread out from Scandinavia searching for warmer places to spend winter in. The church was consecrated in 1197, the King and Holy Roman Emperor Henry VI and his Queen Constance I of Sicily being on hand to witness the ceremony be performed by Archbishop Barardo.

We had time before the show to have a quick look inside the cathedral. It contains the 13th century tomb of Conrad IV, a king of Germany and Sicily, but repeated earthquakes (the last in 1908) and the bombing of WWII means most of the church is reconstructed.

The campanile or clock tower has several interesting features. On the side facing the basilica are two clock faces: the lower one is a perpetual calendar with a rotating outer ring showing the day and month, with a marble statue of an angel, just discernable on the left side of the dial on the photo, pointing out the day, whilst moveable panels within the ring ensure that the moveable feasts such as Easter are always correctly shown. Underneath the central star-pointed sun a panel shows the currrent year. The top dial is a planetarium and shows the nine planets geared and spaced in true scale to rotate around the central sun, whilst the astological signs of the Zodiac show which sign each planet is within.

On the side of the tower facing the square are animated displays. At twelve noon the souvenir sellers stop their incessant peddling of their tea towels, magnets, wooden fold-up fruit bowls etc. and the clock chimes the hour. Following this, the lion in the top window waves his flag, wags his tail and tilts his head back to roar. And it really does give a very realistic and loud roar!

Then the giant cockerel flaps his wings and crows whilst two legendary defenders of Messina ring the bells at either side of the cockeral. Just below an angel hands a letter to Messina's patron saint the Madonna of the letters whilst the figures of St Paul and ambassadors of Messina pass before her and bow. In the next window a different biblical scene is shown during each quarter of the year. As the loudspeakers play the Ave Maria, the next window comes to life. A golden church, representing the Sanctuary of the Madonna at Montalto, appears rising from behind a cloud as a dove flies in circles overhead; robed figures turn and bow to a throne as they pass before it. In the bottom window a different classical figure (Apollo, Mars, Diana etc.) appears, a different figure each day of the week, each driving a chariot pulled by a different animal. I totally missed any movement in some of the windows, perhaps they move too slow given the short time we were there.

No matter how clever and intricate something is, these days it generally has to be judged against the latest Hollywood CGI and, against such wonders, the clock seems to be very slow and intermittent. Feedback and ratings on websites seem to show mixed reception. In 1933 when it was first installed, it must have knocked everyone's socks off. Even today, the first time the lion's head is thrown back and the loud roar comes from the tower, it is a brilliant moment.

At the end of the show, a few people clapped, a few cheered, the tour guides waved impatient flags, the peddlers pounced and the independent travellers from the ship shot off to dash down the hill and onto the ship before it sailed!

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