St Senara, Zennor, Cornwall

Zennor is a lovely little village down in the Lands End peninsula of Cornwall. You wouldn't stumble across it by accident I suspect, but a few times I have gone to visit this church and look around the small museum.

This is the only church in the land - nay the world - to be dedicated to St Senara. As with many of the very early Cornish saints (the first church on this site to be dedicated to her is said to have been 6th century) there are several versions of the saint's story, some more fantastic than others.

In one version she plays the part of a Irish princess, a cross between Perseus's mother, Danae and Snow White - for her father the king orders his pregnant daughter killed. The knight thus ordered, cannot bring himself to do the deed and instead (this is better???) persuades her to get into a barrel, nails down the lid and rolls it off a cliff into the sea. She ends up at Cornwall, at this church and falls in love with a chorister who loves her in return. In other versions she is born a mermaid. Well look... it was a long time ago, ok? The details get muddied in time...

The church of course does have another (or perhaps the same...) mermaid story. This version tells of a chorister called Matthew Trewella, 600 years ago, whose voice was so pure that he sang the closing hymn to services as a solo. A mermaid heard his singing and came to the church (presumably somewhat in the manner of a sea lion but without the ball balanced on her nose) to entice him back into the sea as her husband. "Crikey! You'll do for me!" he said with relish, looking at her vital statistics of 36, 24, £1.20 per pound... He vanished with her beneath the waves and it is said that on a still night after seventeen pints you can still hear him drowning singing from beneath the waves.

A piscina. These small bowls can often be found in the aisle of churches. They were used for washing the communion vessels.

There are two fonts here. The one that the Normans used was found buried in the garden of the vicarage and was set up in the church once again in 1960. The one in use though is this one, a mere stripling of modernity, dating from the 1200s or 1300s.

From the fourteenth century is this ancient carving of a mermaid on a bench end. Is it St Senara, or did this carving prompt the legend of the mermaid who came to woo the unfortunate Matthew Trewhella? Arthur Mee in the Cornwall entry to his King's England series of guide books, says that the Puritans are to blame for the obliterating of her face and bare breasts. The face certainly bears signs of violence, the breasts less so. I wonder how much of them were left by the time of the Puritans, after 300+ years of furtive fondling by the village's teenaged boys - who after all had no juke boxes, fruit machines or phone signal...

A photograph from an earlier visit, this one taken on film rather than digitally.

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